
"What's New" Product Video - from Tennis Warehouse - Head YOUTEK Prestige Pro Racquet
Signup for TennisOne Membership Today – FREE Video Analysis Software ($99 Value)
Join TennisOne today and get unrestricted access and use of SportsCAD Home video analysis software package ($99 retail). Click here to see how to download SportsCAD if you're a TennisOne member (or for details on this offer)..
Click here for a 30 day FREE trial TennisOne membership and get instant access to SportsCAD Home software.

High Backhand Volley
David W. Smith, Senior Editor TennisOne
Among the many shots a tennis player may face while at or near the net, the high backhand volley tends to be the most problematic in terms of technique and confidence. Because of the various technical mistakes many players make, the stroke often feels weak and ineffective or it is missed altogether.
In this article, I’m going to be using the SportsCAD program to isolate or “chunk” various components of the high backhand volley to display the very components in which I’m writing about.
Preparation
One problem many players face with the backhand volley is the grip. So many players are led to believe the eastern backhand grip is the stronger grip, especially for beginners. Yet, most knowledgeable pros recommend more advanced players to change to the continental grip at some point. I won’t get into the difficulties related to changing a grip after it has become comfortable, but the eastern backhand grip sets up players for failure, in that it inhibits them from hitting more effective volleys as they progress.
The continental grip sets up the racquet for the first move, the "Unit Turn." The idea here is to take the racquet back with the upper body rather than simply using the arm. The problem with an eastern grip is that it positions the racquet behind the hand and forearm, basically taking the racquet at an angle away from the target from the start. When the player adds the unit turn, the eastern grip takes the racquet back even further from the desired angle. This position literally forces the player to swing the racquet around just to align the strings back to the target. This one aspect is why most players who use the eastern backhand grip are seldom able to hit sharp angle volleys, drop volleys, or lob volleys. To do so, the players must swing the racquet around to gain the desired target line and therefore almost always hit the ball too hard. These players instinctively feel this and, as a result, decelerate the swing, which, of course, keeps the racquet face from getting on the right path.
Arm Position
With most pros, you will see a commonality: a straight arm from before contact to after contact. A commonality among recreational or club players who have difficulty with their backhand is the bent elbow. That is they try to hit volley while the elbow is straightening. This not only takes the racquet back much further, the strain on the elbow while straightening at contact can be severe, especially if the player hits late. The straight arm position adds leverage and control to the stroke also, just like a longer crowbar can lift more weight than a shorter one.
Contact Phase
The most important aspect of most tennis strokes is “keeping the plane the same.” The previous elements I’ve discussed contribute to this. The idea is to keep the hitting surface of the racquet the same from well before contact to well after. In volleys, I use the phrase, “Set and Hold,” to emphasize this concept.
Upper Body Position
The final element is to maintain the continuity of the upper body throughout the stroke. If the upper body rotates, the ability to hit a true linear stroke becomes problematic and makes keeping the plane the same very difficult.
Conclusion
If players establish these elements on the high backhand volley, the ability to create a consistent and confident volley is natural. And when confidence improves, the natural progression to hitting the volley with more pace happens automatically.
As always, we would love to hear from you! Questions, comments, personal experiences all create helpful dialogue for everyone! Please click here to send us your email.
|
Current Features
Marion Bartoli: Mirrored Strokes
Marion Bartoli has demonstrated that even in today’s high-powered women’s game, the two-handed stroke off both sides is something that can be competitive. While Dave Smith has focused on Bartoli's two-handed strokes before, this is the first time he examines her forehand from two distinct concepts. Using SportsCAD stroke comparison software he compares it to her backhand as a “mirrored” image and then shows how the stroke offers many advantages to traditional forehands as a learning model.
Perfecting the Service Motion
While the serve in men's tennis has always been considered the most important shot in the tennis, as the game becomes more and more about power, the serve rises even more in importance. By covering some of the elements of technique that many of the best pros have in common – the grip, the toss, the shoulder turn, the feet, the throwing motion, and the legs, Dan McCain shows how these elements can all work in concert to establish an ideal service motion.
ProStrokes 2.0 – Marat Safin's Forehand
With two Grand Slam Titles and a dozen ATP Titles, Marat Safin was certainly no "flash in the pan." Enigmatic, popular, and with loads of talent, however, if ever there was a player who failed to reach expected potential, Safin fits the bill. One of the purist physical talents in the history of the game, Safin both physically and technically had the goods! He had periods of 'fleeting ecstasy" followed by disappointing meltdowns, but one could always admire his execution. Graceful fluidity, plenty of raw power, delicate touch and an all-court awareness, Safin has been a model for students of the game to study and emulate.

The Etcheberry Experience DVD
For more than twenty years Pat Etcheberry has been providing athletes from around the world with the winning edge. We call this the Etcheberry Experience, and players with an Etcheberry experience have hoisted Championship Trophies at over one hundred major championships, including 28 Australian Opens, 18 Wimbledons, 22 UP Opens, 22 French Opens and 15 Olympic medals.
And now it's your turn! This is your chance to experience the same drills, exercises and words of tennis wisdom that Pat gave to Pete Sampras, Andre Agassi, Jennifer Capriati, Martina Hingis, Jim Courier, Justine Henin-Hardenne, and others, that helped launch them on their incredible careers. For the first time, Pat Etcheberry shares his training secrets in a series of DVDs for players of all ages, their coaches, and trainers. |
|
Copyright Notice: The contents of the TennisONE web site and contents forwarded to you by TennisONE are intended for your personal, noncommercial use. Republishing of TennisONE content in any way, including framing or posting of these materials on other Web sites, is strictly prohibited. See our full copyright statement
If you wish to be removed from our newsletter list, please send an email to newsletter-unsubscribe@tennisone.com and leave the subject line blank. A confirmation email will be sent to you, and you will be removed from our newsletter list once you reply to that confirmation.
|